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A single rope is the most common, and is intended to be used by itself. Smaller diameter ropes are lighter, but wear out faster.
These offer a greater margin of safety against cutting, since it is unlikely that both ropes will be cut, but complicate both belaying and leading.
Double ropes may be clipped into alternating pieces of protection, allowing each to stay straighter and reduce Both individual and totalrope drag.
Twin ropes are thin ropes which must be clipped into the same piece of protection, in effect being treated as a single strand.
This adds security in situations where a rope may get cut. However new lighter-weight ropes with greater safety have virtually replaced this type of rope.
The butterfly and alpine coils are methods of coiling a rope for carrying. The use of ropes for hunting, pulling, fastening, attaching, carrying, lifting, and climbing dates back to prehistoric times.
It is likely that the earliest "ropes" were naturally occurring lengths of plant fibre, such as vines, followed soon by the first attempts at twisting and braiding these strands together to form the first proper ropes in the modern sense of the word.
The earliest evidence of true rope making is a very small fragment of three-ply cord from a Neanderthal site dated 50, years ago.
The ancient Egyptians were probably the first civilization to develop special tools to make rope. The use of such ropes pulled by thousands of workers allowed the Egyptians to move the heavy stones required to build their monuments.
Rope and the craft of rope making spread throughout Asia, India, and Europe over the next several thousand years. From the Middle Ages until the 18th century, in Europe ropes were constructed in ropewalks , very long buildings where strands the full length of the rope were spread out and then laid up or twisted together to form the rope.
The cable length was thus set by the length of the available rope walk. This is related to the unit of length termed cable length.
This allowed for long ropes of up to yards long or longer to be made. These long ropes were necessary in shipping as short ropes would require splicing to make them long enough to use for sheets and halyards.
The strongest form of splicing is the short splice, which doubles the cross-sectional area of the rope at the area of the splice, which would cause problems in running the line through pulleys.
Any splices narrow enough to maintain smooth running would be less able to support the required weight.
Leonardo da Vinci drew sketches of a concept for a ropemaking machine, but it was never built. Remarkable feats of construction were accomplished using rope but without advanced technology: In , Domenico Fontana erected the ton obelisk on Rome's Saint Peter's Square with a concerted effort of men, 75 horses, and countless pulleys and meters of rope.
By the late 18th century several working machines had been built and patented. Some rope is still made from natural fibres , such as coir and sisal , despite the dominance of synthetic fibres such as nylon and polypropylene , which have become increasingly popular since the s.
A ropemaker at work, c. A German ropemaker, c. A piece of preserved rope found on board the 16th century carrack Mary Rose.
Laid rope, also called twisted rope, is historically the prevalent form of rope, at least in modern Western history. Common twisted rope generally consists of three strands and is normally right-laid, or given a final right-handed twist.
The ISO 2 standard uses the uppercase letters S and Z to indicate the two possible directions of twist, as suggested by the direction of slant of the central portions of these two letters.
The handedness of the twist is the direction of the twists as they progress away from an observer. Thus Z-twist rope is said to be right-handed , and S-twist to be left-handed.
Twisted ropes are built up in three steps. Daniel Zidar. Purchasable with gift card. Limited edition of Eyes Terminus Given to the Gun Gravity Bridge Lillian Dying Days Now You Know Lead Again Produced by Ed Ackerson and The Rope.
Tags alternative rock darkwave gothic rock post-punk synth pop Minneapolis. You must be a registered user to use the IMDb rating plugin. Edit Cast Complete credited cast: Dick Hogan David Kentley John Dall Brandon Farley Granger Phillip Edith Evanson Wilson Douglas Dick Kenneth Joan Chandler Janet Cedric Hardwicke Atwater James Stewart Taglines: It's his most nerve-stretching thriller!
Edit Did You Know? Trivia Since the filming times were so long, everybody on the set tried their best to avoid any mistakes.
At one point in the movie, the camera dolly ran over and broke a cameraman's foot, but to keep filming, he was gagged and dragged off.
Another time, a woman puts her glass down but misses the table. A stagehand had to rush up and catch it before the glass hit the ground.
Both parts are used in the final cut. Goofs When Phillip and Brandon put David in the chest, the rope is clearly around David's neck and completely inside the box.
Variety magazine wrote, "Hitchcock could have chosen a more entertaining subject with which to use the arresting camera and staging technique displayed in Rope The continuous action and the extremely mobile camera are technical features of which industry craftsmen will make much, but to the layman audience effect is of a distracting interest.
Hitchcock has used to stretch the intended tension for the length of the little stunt" for a "story of meager range". The interesting experimental values in this Hitchcock production could never be denied, yet I would not rate it one of his best.
In Time magazine's review, the play that the film was based on is called an "intelligent and hideously exciting melodrama" though "in turning it into a movie for mass distribution, much of the edge [is] blunted" explaining:.
Much of the play's deadly excitement dwelt in [the] juxtaposition of callow brilliance and lavender dandyism with moral idiocy and brutal horror.
Much of its intensity came from the shocking change in the teacher, once he learned what was going on. In the movie, the boys and their teacher are shrewdly plausible but much more conventional types.
Even so, the basic idea is so good and, in its diluted way, Rope is so well done that it makes a rattling good melodrama.
On its theatrical release in , Rope performed poorly at the box office. In Rope Unleashed , screenwriter Arthur Laurents attributed this failure to audience uneasiness with the homosexual undertones in the relationship between the two lead characters.
Nearly 36 years later, Vincent Canby , also of The New York Times , called the "seldom seen" and "underrated" film "full of the kind of self-conscious epigrams and breezy ripostes that once defined wit and decadence in the Broadway theater "; it's a film "less concerned with the characters and their moral dilemmas than with how they look, sound and move, and with the overall spectacle of how a perfect crime goes wrong".
Roger Ebert wrote in , "Alfred Hitchcock called Rope an "experiment that didn't work out", and he was happy to see it kept out of release for most of three decades", but went on to say that " Rope remains one of the most interesting experiments ever attempted by a major director working with big box-office names, and it's worth seeing A BBC review of the DVD release, in , called the film "technically and socially bold" and pointed out that given "how primitive the Technicolor process was back then", the DVD's image quality is "by those standards quite astonishing"; the release's "2.
The site's critical consensus reads: "As formally audacious as it is narratively brilliant, Rope connects a powerful ensemble in service of a darkly satisfying crime thriller from a master of the genre".
From Wikipedia, the free encyclopedia. Theatrical release poster. Transatlantic Pictures. Release date. Running time. James Stewart as Rupert Cadell.
John Dall as Brandon Shaw. Joan Chandler as Janet Walker. Farley Granger as Philip Morgan. Douglas Dick as Kenneth Lawrence.
Edith Evanson as Mrs. Dick Hogan as David Kentley. Mental Floss. The Ropes is an inside look into the hilarious, yet explosive world of nightclub bouncing.
The series follows the charismatic young Martin, who hustles his way into a job as a bouncer only to be taken under the wing of Big Vic, the club's legendary head bouncer who prides himself on being the epitome of a fighter and ladies man.
But soon, Martin is lured into the nefarious underworld by Les, another bouncer with his own crooked outlook.
It's then that Martin must wrestle with his head and heart as he navigates a world shaped by bribes, beautiful women, but most importantly brotherhood.
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